CLIENTS


 
L->R: Beth Morrison, Jecca Barry, Kim Whitener, Kristin Marting Credit: Raul Zbengheci

L->R: Beth Morrison, Jecca Barry, Kim Whitener, Kristin Marting
Credit: Raul Zbengheci

PROTOTYPE FESTIVAL

“Season after season, PROTOTYPE introduces to New York pieces that shift the whole paradigm of what opera is and can be.” — New York Observer

PROTOTYPE: Opera/Theatre/Now launched in January 2013, unleashing a powerful wave of opera- and music-theatre from a new generation of composers and librettists. Across its first six seasons, PROTOTYPE produced and presented a total of 200 performances of 39 presentations, and shared the work of more than 600 local, national, and international artists. Now in its seventh season, PROTOTYPE, as Opera News proclaimed, “has become a major leader in opera theatre for the twenty-first century."

Founded by Kristin Marting (of HERE), Beth Morrison (of Beth Morrison Projects), and Kim Whitener (of HERE), and now produced and led by them along with new co-director Jecca Barry, PROTOTYPE supports and spotlights a diverse range of culturally and socially engaged work from intrepid creators across ethnicity and gender. Half of PROTOTYPE’s lead artists to date have been women, and the Festival has presented work from Armenian-American, Belgian, Chinese, Dutch, Egyptian-American, Indian-American, Iranian-American, Irish, Kazakh, Korean-American, Lithuanian, Mexican, Russian, Slovenian, Swedish and Ukranian lead artists. www.prototypefestival.org

Missy Mazzoli Credit: Caroline Tompkins

Missy Mazzoli
Credit: Caroline Tompkins

MISSY MAZZOLI

"Brooklyn's post-millennial Mozart" —Time Out New York

Missy Mazzoli, recently named Mead Composer-in-Residence by the Chicago Symphony Orchestra,  is considered "one of the more consistently inventive, surprising composers now working in New York" (The New York Times). Her exquisite and mysterious music has been performed by soloists and ensembles all over the world, including by the BBC Symphony, Kronos Quartet, JACK Quartet, Eighth Blackbird, LA Opera, Roomful of Teeth, Los Angeles Philharmonic, Minnesota Orchestra, Opera Philadelphia, Emanuel Ax,  cellist Maya Beiser, and violinist Jennifer Koh. 

Mazzoli is currently on the composition faculty of the Mannes College of Music, a division of the New School, and a co-founder of Luna Composition Lab. An active pianist, Mazzoli performs with Victoire, an "all-star, all-female quintet" (Time Out New York) she founded in 2008 which is dedicated exclusively to her own compositions. Missy Mazzoli's music is published exclusively by G. Schirmer, Inc. www.missymazzoli.com

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BROOKLYN YOUTH CHORUS

“No one who has heard the Brooklyn Youth Chorus will need any convincing about the ensemble’s quality…at ease performing alongside world-class orchestras, pop stars and the latest buzz band, the chorus…seems comfortable with anything it undertakes.” —The New York Times

The Grammy-winning Brooklyn Youth Chorus is a collective of young singers and vocal ensembles re-envisioning choral music performance through artistic innovation, collaboration, and their distinctively beautiful sound. Named WQXR New York’s 2016-17 Artists-in-Residence, the Chorus draws students from across the five boroughs and combines intensive voice and musicianship training with exceptional performance experiences.

Founded in 1992 by Artistic Director Dianne Berkun Menaker, the Chorus has appeared with world-class orchestras and conductors, including the New York and Los Angeles philharmonics and London and Atlanta symphonies. Additionally, the Chorus has performed or recorded with major artists such as Barbra Streisand, Arcade Fire, Elton John, The National, and Grizzly Bear. Recordings of the Chorus have been featured in major motion pictures, commercials, and live events, including Beyoncé and Jay-Z’s OTR II World Tour. As a bold commissioner and producer of new music, the Chorus has introduced over 100 original works and world premieres by contemporary composers into the repertoire. www.brooklynyouthchorus.com

Carlos Kalmar

Carlos Kalmar

OREGON SYMPHONY 

“At Carnegie Hall…the Oregon Symphony proved that smaller-budgeted orchestras can outpace international heavyweights.”— Alex Ross, New Yorker, Notable Performances of 2019 and of the Decade

In 18 seasons, under the leadership of Music Director Carlos Kalmar, the Oregon Symphony has evolved as a vibrant, internationally-acclaimed orchestra, actively championing bold artistry on the stage and in the community and propelling orchestral life forward with a creative spirit. In the 2020-21 season, the Oregon Symphony honors Maestro Kalmar and bids him a fond and grateful farewell as Music Director. By the end of his tenure next season, the Oregon Symphony will have introduced a staggering 346 classical works to its local audiences (in 260 concert programs), released eight recordings, launched fifteen large-scale multidisciplinary projects, and presented 99 works by living composers, 31 of which were original commissions. In keeping with Kalmar’s impressive record, the 2020-21 season boasts twenty-two Oregon Symphony premieres, fifteen works by living composers, five U.S. or world premieres, five final symphonies, and four commissioned works, including three SoundStories events that offer audiences a new musical lens on historic and contemporary issues. www.oregonsymphony.org